Guest Post by Natalie Dias Lorenzi
When I wrote the first draft
of my middle grade novel, Flying the
Dragon, the story had only one main character—eleven-year-old Hiroshi who
leaves his home in Japan and
moves to the US
Each time I revised the
story, I started to wonder if Skye really wasn’t as mean as I’d made her out to
be. The only way to find out for sure was to rewrite the story from Skye’s
point of view. But I still wanted Hiroshi as a main character, so I decided to
give them equal time on the page; the final version of Flying the Dragon is told in alternating chapters from Hiroshi’s
and Skye’s points of view.
When you’re drafting and
revising your stories, take some time to experiment with point of view:
1. Create a problem for your
character—something that makes him or her extremely uncomfortable (sad, angry,
nervous, etc.). Using the third person point of view, write a scene that shows
your character struggling with this problem.
2. Rewrite the scene using
the first person point of view. Which version do you like best? Why? What are
the pros and cons of each?
3. Who is the one person
that your character does NOT want to be around? (For Hiroshi, this person was
definitely Skye!) Rewrite the scene from that person’s point of view—either in
third or first person. What did you
learn about your character that you didn’t know before?
You may have to try out
different points of view before settling on one that rings true for your story.
Even if you wind up using your original point-of-view pick, you’ll come away
knowing your characters better than ever.
Happy Writing!
Natalie Dias Lorenzi is a
school librarian and author of Flying the
Dragon, an award winning middle grade novel described by Kirkus in a starred review as “A quiet, beautifully moving portrayal of a
multicultural family.” Visit her online at http://natalielorenzi.com/
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