Showing posts with label Classroom Techniques. Show all posts
Showing posts with label Classroom Techniques. Show all posts

Monday, July 21, 2014

DIGGING DEEPER AS A WRITER


In my novel Jasmine and Maddie 7th grade English teacher Mr. Carty asks his students to “dig deeper” when they write poems about themselves. He wants them to use “real emotions as the raw materials for their poems.”

When I created the character of Mr. Carty, I drew upon my own experiences, both as a former seventh grade English teacher at the elite private Horace Mann School in New York and more recently as a creative writing instructor at Writopia Lab and the Westport Writers’ Workshop.

I learned in the field (or classroom) that it’s tough getting kids to open up and take risks on the page at a time when all they want to do—at least in public—is to hide who they really are and blend in with the crowd.

So I did what Mr. Carty did—a version, at least. I gave my students writing journals, and in my case, I let their words remain private if they chose that option. I taught them poetic forms, such as sonnet and pantoum, but didn’t force them to rhyme. The great thing about a poetic form—even without the rhymes—is  that it forces your brain to focus on one thing, and while your brain is distracted, your heart pours out truth and love and pain and anger. Works like a charm.

So for some kids, digging deeper is aided by privacy in the form of a journal. For others, expressing themselves inside the constraints of a form serves to help them dig deeper. For others, responding to a writing prompt (write a poem to your frenemy and write what you can’t say) works for other.

Others respond to  Poetry Slam or Poetry Jam or Poetry Reading—whatever you want to call it. That gets kids digging deeper because they want their words to connect to their audience. They want to be understood.

All young poets are capable of digging past the surface (as Mr. Carty knew) with the right shovel.

GUEST BLOGGER Christine Pakkala was born and raised in Idaho. She earned an MFA from the Iowa Writers Workshop (Poetry) and was a Fulbright scholar. She's the author of Last But Not Least Lola: Going Green, which earned a starred review from School Library Journal. Jasmine and Maddie earned a spot on School Library Journal's "What Hot In YA" for Summer, 2014. Last But Not Least Lola and the Wild Chicken is forthcoming September, 2014, and Last But Not Least Lola and The Haunted Mansion is scheduled for September, 2015. All titles are from Boyds Mills Press, an imprint of Highlight. Christine, a former English teacher with a passion for punctuation and poetry, now teaches creative writing at the Westport Writers' Workshop. She lives in Westport, CT with her husband, two children and two dogs.

Monday, September 23, 2013

Handing Out Sentences in College Comp


The trials and tribulations of young college students fill my days again, and while I dare not try to help them sort out the existential questions that plague them, I am once again setting to the task of helping them hone a key skill of expression: writing. I’m having a hard time communicating with them, though. It’s not that social media slang or inside jokes get in the way, or that pop culture references are sliding over my head. (They are, but it’s not that.) The problem: my students don’t know the language of their language.

Here’s an example. I take a snippet of student writing that is a run-on sentence, and I project it onto the classroom screen and say, “This is a comma splice because two independent clauses are connected with punctuation that is too weak. How might you fix this with a conjunction?” There is sudden attention to tying shoes, searching for things in backpacks, responding to noises outside the windows. No one wants to be exposed as not remembering what an independent clause is, or a conjunction. And even a minor sentence-related engagement with me could lead to worse. I might use words like “subject,” “object,” “indefinite pronoun.” Sure, some students recollect one or another grammar term from sing-alongs with School House Rock or Sesame Street, but that is rarely enough facility to sustain an actual conversation about what is wrong with particular sentences they are writing.

So, I’m getting set to use a different approach. I’ve bought myself a large package of jewel-toned dry erase markers, and I’m going to start sentence diagramming! While that term tends to produce at least an eye roll in the parochial school educated among my cohort, I have noticed that those who were taught grammar by way of diagramming know the English language far better than those who were taught rote grammar. (I fall into the latter category and had to teach myself grammar once I got to college.) Maybe the visual nature of the task imprints on the memory better, just as the aural nature of grammar songs does. I taught diagramming in middle school English a few years back, and many students saw it as cracking a code. Even the hardcore math kids who had theretofore shunned all aspects of English were tuning in. Diagramming appeals to the active student, too, because he or she can get up and draw on the board. Colorful markers have a way of drawing in the artsy of the class, as well.

I’m finding that other educators, from primary grades up to college, are getting the same idea. There are some good sentence diagramming resources on YouTube and various education websites. And for those needing to connect Common Core or state standards, it couldn’t be easier. Every aspect of grammar, thus every term, comes to the surface when you are viewing the language in this broader way, through sentences.