Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Monday, June 13, 2016

Writing Instructions with A Fairy Friend


Guest post by Sue Fliess

To believe in magic fills the heart and mind with wonder. As a child, I always imagined I wasn’t alone and believed that some kind of magical creatures must exist. Were there aliens? Beings that we couldn’t see, but lived among us? So tiny we didn’t know they were there, or so big that our Earth could fit on their fingernail? I thought anything was possible.



In my newest book, A Fairy Friend, illustrated by Claire Keane and published by Macmillan, I write about magical, mystical fairies; how they live among us, and how one only needs to know where to look and what to do to attract one.

The story invites the reader to join that miniature dream world by giving detailed instructions on how to do so. 

Want to have one come to you?
Here is what you need to do…
Build a house of twigs and blooms,
Decorate her fairy rooms—
Walls of blossoms, cotton floor,
Sparrow feather for her door.  

This is a great opportunity for you to have your class write their own set of instructions (explaining to them that they are writing from a second person point of view), talking directly to their reader. 

Have students choose something they are passionate about—sports, dancing, dogs, playing an instrument, building, cooking, etc. The first few sentences can be description about that topic or thing.

Friendly fairies soar the skies,
Ride the backs of dragonflies.
Wings of fairies shimmer, spark,
Twinkle, glimmer in the dark.

The next part can be where they write out instructions on, for example, how to score a goal in soccer, how to teach a dog to sit, how to pirouette, construct a fort, or even how to make a peanut butter sandwich.

Encourage them to be as detailed as possible, and to assume that the reader has never tried this particular thing before. If possible, as with the dance move, have the other students follow the instructions of their peers.

They can wrap it up by writing about the results of following the actions – how it feels to score a goal, what it’s like to perform a ballet recital, how yummy a peanut butter sandwich is, and so on.

Many reluctant writers find writing instructions lots of fun. And it is a welcome change for  students to be able to instruct someone else on what do to, instead of always being told what do to. 


BIO: Sue Fliess ("fleece") is the author of numerous children's books including A Fairy Friend, Calling All Cars, Robots, Robots Everywhere!, The Hug Book, Tons of Trucks and Shoes for Me! Her background is in copywriting, PR, and marketing, and her articles have appeared in O the Oprah Magazine, Huffington Post, Writer's Digest, Education.com, and more. Her Oprah article was included in the anthology, O's Little Book of Happiness. Fliess has also written stories for The Walt Disney Company. Her picture books have received honors from the Society of Children's Books Writers and Illustrators, have been used in school curriculums, museum educational programs, and have even been translated into French. She's a member of SCBWI and The Children's Book Guild of DC. Sue lives with her family and a Labrador named Charlie in Northern Virginia. Visit her at www.suefliess.com.

Monday, October 1, 2012

THE WORD ON WORDLESS BOOKS


Picking up on the picture book literacy theme running recently through Pencil Tips, I have been thinking about wordless picture books. I’m a fan of these and like to collect them. This fascination might seem a little odd on the part of a picture book author who is not herself an illustrator, but in the hands of an amazing artist, pictures can sometimes tell it all. (I also love graphic novels, and I’m sure these two interests are related.)

One category of wordless book takes a “what if” concept and catapults it into a world of fantasy. My favorite book of this type is Flotsam, by David Wiesner, a mind-bending tale in which a boy finds an old camera on the beach.  The camera leads him and the reader on a fantastical visual journey beneath the sea and back in time.   Two other books in this vein are The Red Book, by Barbara Lehman, and Zoom by Istvan Banyai.  For some reason, all of these books have vivid red covers. They are just plain fun to share with children, and in the case of Flotsam and The Red Book, could lead to an exercise in writing a fantasy story (wordless or not) about a found object.

Other wordless books that are more plot driven.  These include A Boy, a Dog, and a Frog by Mercer Mayer, Pancakes for Breakfast by Tomie dePaola, Wave by Suzie Lee, and Train Stop, also by Barbara Lehman.  These books can be used for exploring the five essential elements of a story.  Here are some questions to move this process along:

Characters: Who is the main character?  Are there other characters in the story?  What part do they play?  What are some of the challenges an artist or writer faces in carrying the same characters through a story from beginning to end?

Setting:  Where does the story take place?  How important is the setting to that particular story? What are some devices the artist used to bring the setting to life?

Plot: A story has a beginning, middle and end.  In the wordless story, which illustrations make up the beginning of the story? The middle? The end? 

Conflict:
A story without conflict would be a big yawn.  Usually, the conflict comes about because the main character has a problem to solve.  What is the main character’s problem?  How does he or she try to solve it?  If the problem were solved immediately, there wouldn’t be much of a story.  How do the illustrations build up the suspense leading to the climax of the story? Identify the climax, the place where the action becomes most exciting. 

Resolution:  After the climax comes the part of the story where the problem is solved.  How does this happen in the story at hand?  Do you think the ending was a good one?  What is another way you could think of to end the story?

Creating a wordless picture book from scratch could be a great follow-on project.