Showing posts with label Moira Rose Donohue. Show all posts
Showing posts with label Moira Rose Donohue. Show all posts

Monday, March 13, 2017

Encouraging Nonfiction Writing in School


When I was a kid, I read fiction with two very limited exceptions: I read books about dogs and ballet. As an adult, it was pretty much the same story. So when I started writing for children, naturally I wrote only fiction.  Then, a number of years ago, I was asked to write a series of nonfiction books about civil rights figures in Virginia.  Hmmm.  I didn’t think there would be a lot of dogs or ballerinas involved. And it sounded a little like homework. 

I thought about it for a while. I didn’t mind the research. In fact, I was ready to learn new things. But it was the thought of note taking on small white index cards, one thought and source to a card, made me feel faint. I absolutely hated doing that in school. But fortunately, before I said, “NO,” I had an epiphany: I can take notes in a way that works for me.


I realize that piles of index cards with one or two lines on each one may be a great organizational tool for some. But for me, a visual learner, that stack, with all that wasted space, is totally overwhelming. If I could take notes in my tiny handwriting, on colored legal pads, with page numbers in the margins, I would be much happier. Then I could star things that I liked, use pink highlighter on facts I wanted to be sure to include and annotate others with cross-references. I could even color code things. It worked. In fact, I kept writing nonfiction and I haven’t looked back.



Writing nonfiction teaches the writer so much. So why not encourage your students to write nonfiction?

GETTING STARTED: Before setting children to the task of writing nonfiction, it’s important to have them read nonfiction. Next, pick topics that they can research easily. Writing about animals is a good starting place, because animals, in general, are less mired in conflicting information. Then consider moving into cultural and biographical subjects. I would suggest that you save history, especially long-ago history, for later, as it is hardest area in which to verify facts.


RESEARCH: This is a great time to teach children that not everything they read is true. It’s not about finding three sources that say the same thing anymore, like when I was a kid. And not all internet sites are reliable. Finally, sometimes it’s a question of saying “experts differ.”

NOTETAKING: Obviously it is crucial to keep track of where a particular bit of information comes from. But it doesn’t have to be done on white index cards. I would suggest providing children with several options.

OUTLINING: It’s a good idea to ask students to outline their stories, but only in a general way to give the story some structure. Then comes the really fun part. A writer I really respect told me that when you are researching a topic and come across something that makes you say, “Wow!” include it in your story. If it surprises you, it will surprise others as well. I encourage you to share this idea with your students. And then let them put pencil to paper!
  
BIO: Moira Rose Donohue has written over 20 nonfiction books for children.  The Invasion of Normandy from North Star Editions came out in January 2017. Dog on a Bike from National Geographic was released in February 2017. Moira offers a school program called "Writing Interesting Nonfiction" that she loves to present to elementary schools. And she still loves dogs and ballerinas. Visit  www.moirarosedonohue.net     


Monday, October 13, 2014

Writing Nonfiction--Look for the Superstar Moment

Guest Post by Moira Rose Donohue

Sometimes it can be hard for students to read nonfiction—and even harder to write it.  But nonfiction can be fun to both read and write if the author strives for the “superstar moment.”

I have written a number of educational biographies and two books for National Geographic that tell amazing but true animal stories.  And I have learned a simple, but helpful, lesson. After I finish my research, I identify the rock star moment.  Then I draft a general outline, making sure that somewhere between two-thirds and three-quarters of the way through the book, I will hit that big moment. 

For example, if I am writing about Vasco Núñez de Balboa, I need to make sure that his superstar moment—being the first European to see the Pacific Ocean from the New World—is the climax of the story.  Likewise, if I am writing about a kangaroo that rescues his injured owner, that has to happen towards the end of the story.  And if I am telling you about my summer vacation, I need to build up to the best part of it—the day I learned to swim alone.

This may sound a bit simplistic, but it’s a rule that gets easily forgotten when pencil hits paper.  Why?  Most nonfiction writers have learned a tremendous amount about the subject of their report or book.  They want to share it, so they cram in all kinds of data and lose the sense of story and climax that holds the reader’s interest.  That means that bits of information, even really fun ones like a dramatic fight with another explorer over a girl, have to be jettisoned if they don’t advance the story towards the superstar moment.

Next time you assign a biography writing project, or even a “What I Did This Summer” essay, remind your young writers to identify the “superstar moment” and edit their stories so that they take the reader up the mountain to superstardom.  Hopefully that will put them on the road to superstar writing.

BIO: Moira Rose Donohue is the author of Parrot Genius from National Geographic; 13 biographies from State Standards Publishing; and Alfie the Apostrophe and Penny and the Punctuation Bee from Albert Whitman.  Coming soon-- another explorer biography (de Soto) and Kangaroo to the Rescue from National Geographic in Spring, 2015!