Showing posts with label Personal Narratives. Show all posts
Showing posts with label Personal Narratives. Show all posts

Monday, August 7, 2017

Little by Little: How We Learn


Many students become overwhelmed when trying to learn something new. For some, math is a challenge. Others stumble over a foreign language. And for many children, reading feels like an insurmountable mountain.

As a teacher, I was naturally drawn to the ancient story of Akiva, an illiterate shepherd who learned to read at age 40. Akiva thought he was too old to learn to read but his wife, Rachel, encouraged him. She insisted that nothing was beyond his abilities. Akiva doubted himself until he observed a phenomenon in nature. He noticed a hole in a rock and suddenly appreciated the process in which water erodes stone.


“Water is soft,” Akiva thought with amazement. “And yet drop by drop, it has managed to cut through this hard stone.”

Akiva made a connection to himself. “My mind is not harder than a rock! I can learn—just like water cuts through stone—a little bit each day.”

Read Drop by Drop: The Story of Rabbi Akiva with your students and discuss how Akiva approached his studies. He was patient with himself. He decided to master one small thing at a time.

Brainstorm other metaphors for slow but steady progress. Examples: baby steps, crawling before walking, seeds growing into plants, one stitch at a time, saving pennies in a piggybank, etc.

Ask your students to write a personal narrative describing a time when they struggled to learn something new. How did they approach the subject? What made the topic hard to learn? Can they describe their emotions? Did someone or something make the situation harder? Did someone or something make it easier?

Write a class poem about learning a skill slowly, one step at a time. You could use one of the metaphors brainstormed above such as baby steps or growing seeds or you could tie in the science curriculum. Scientific experiments must be undertaken one step at a time. Cooking recipes require one ingredient at a time. Few things are accomplished all at once. There are metaphors for learning everywhere. Happy Writing!


  

Monday, January 23, 2017

Writing Connections with Raina Telgemeier


Is the classroom or your personal journaling experience starting to pall? One way to spice up the journal-keeping process is to add visuals.  That’s how Raina Telgemeier got her start as a graphic novelist when she was 10 years old.  In a recent interview in the KidsPost section of the Washington Post, Raina talks about her newest graphic novel Ghosts and how she began keeping a comics diary when she was a kid.

Below are writing lessons for the classroom or for individual writers ages 8 and up.  Telgemeir’s website also has teacher’s guides. 

WRITING/DRAWING YOUR LIFE:  Classroom Discussion, Part 1:  You might start by showing kids various examples of graphic novels (Telgemeier’s Smile, Sisters and Ghosts; Jennifer Holm’s Babymouse series, Gene Yang’s Secret Coders series).  Though most tell a fictional story, Smile and Sisters chronicle events in Telgemeier’s life.


Classroom Writing:  Instead of the usual journaling-in-words-only that is done as part of the classroom writing experience, encourage students to do what Telgemeir did as a kid.  In a “comics diary,” she recorded her days in comic-strip form.  This loose, sketchy process helps kids to avoid getting hung up on creating “realistic” drawings and instead encourages them to focus on what’s key to the day/emotion/scene in very stylized drawings.  Students might do just one panel with dialogue balloons that captures an experience or several linked ones.

You might also have them bring photos from home or have some magazines on hand so they might cut and paste in backgrounds, relevant images, etc.

Examples of Prompts (these also work for traditional journal entries):  What made me scared today?  Angry?  Excited?  Annoyed?  Happy? Before writing, have students close their eyes and focus on their day and call a particular emotion/event to mind.

Classroom Discussion, Part 2:  After about a week of keeping a comics journal, ask students which they preferred, comics journal or the more traditional writing journal. Or perhaps a combination.  What did they like/dislike about all three?  What did they enjoy/learn from the comics diary experience?  Did doing their own comics diaries change the way they looked at/read graphic novels?

   

Monday, August 8, 2016

Family Adventures on the Road



Vรกmonos! Let’s go! In her newest adventure, The Beach Trip, spunky 7-year-old Sofia Martinez packs for a beach trip. She doesn’t want to take clothes; she wants to take board games. And she doesn’t like the long car ride with her squabbling sisters. On top of all that, it rains on the first morning of vacation.


Family vacations are a great source of material for personal narratives. Teachers often ask their student to write about the trips they took during the summer. In the elementary grades, these writing pieces sometimes sound like lists. First we did this. . . . Then, we did that. . . . There is often not too much reflection on the experience other than a little description of how the ocean was fun or pretty.  

To help young writers expand their family vacation writing, read The Beach Trip and spend some time talking about funny inconveniences of travel. Was the car too small for all the suitcases? Did kids whine in the backseat? Did a sudden rainstorm make everyone run for cover? How did they handle those situations with their families? Did they come up with creative solutions like Sofia and her family?

Approaching a tried-and-true topic from a different angle can add depth to student writing. It might also provide a few giggles as students remember how they solved a backseat squabble or packed the wrong things for a vacation.

Happy Travels!

Jacqueline Jules

Monday, October 19, 2015

MAKE UP YOUR MIND WITH DR. SEUSS!



What child (or adult) has not had trouble making up his or her mind?  Dr. Seuss in his posthumously published book What Pet Should I Get? delightfully captures this common dilemma in trademark Seuss rhyme and illustrations. This picture book would be a perfect read aloud and prompt for a personal narrative writing exercise.



·       Can you describe a time when you had trouble making up your mind?
·       Did you ever end up with nothing because you couldn’t choose just one thing?
·       What factors made your decision difficult?
·       Did you make your final decision alone or with the help of someone else?
·       How did you feel when you finally chose?
·       Did you regret your decision later?

Students can brainstorm as a class with the questions above before writing individual essays. Encourage students to write about situations beyond choosing a pet. Make lists of all the things people make decisions about on a daily basis. ie: clothes, food, television shows. Discuss times when students have made a decision to please someone else, like buying a gift or planning a party. Name important decisions people make during their lives. ie: choosing a school,  a house, a car, a job, a spouse. Decision making is an integral part of our lives and something we do on a daily, even hourly basis.

And trouble making up your mind is an experience students from all backgrounds can relate to, making it a slam dunk prompt for writing personal narratives.

Happy Writing!



Monday, May 19, 2014

BLACKOUT: Personal Narratives in the Dark


With thunderstorm season approaching and subsequent power failures, your students should enjoy an award-winning picture book by John Rocco called Blackout. In this brief story, a city family is too busy for a board game until the lights suddenly go out. Mom’s computer and sister’s telephone don’t work anymore. Dad can’t finish cooking dinner. The family huddles around a candle, making shadow puppets. They go onto the roof of their apartment building to watch the stars.

Blackout delightfully captures how a normal evening can be pleasantly interrupted by a power failure. And it could be a great writing prompt in your classroom. Read this story and have a class discussion about a time when the lights went out. Was it hot or cold? Did your family do something special together like play a board game or go outside for an evening walk? Students might remember eating melting ice cream from the freezer or going to the pool to cool off. Others might complain about having to use a flashlight to go to the bathroom or flipping on the light switch without results.

Ask students to describe the many things in their homes that no longer worked without electricity. Were they frustrated? Or did it become a time for storytelling and pretend games? If the power failure occurred at night, ask your students to describe the glow of the flashlight, the flicker of candles. Did they use their five senses more in the dark?

Since almost all children have experienced it at least once, the story of a power failure can inspire a fun personal narrative with lots of descriptive details. John Rocco’s Blackout is just short enough for a mini-lesson to leave plenty of time for student writing. I hope your classes enjoy this activity as much as mine did.


Monday, October 14, 2013

SPOOKY MOMENTS--HALLOWEEN WRITING


A number of years ago, an editor challenged me to write a story about goblins. I wasn't sure I could. First of all, I didn't know too much about goblins. After a little research, I decided it would be fun to do a story set in pre-World War Eastern Europe where many people were fearful of goblins. So I had a setting, just not a plot. I was stumped until I remembered something that had happened in my past—a true spooky experience perfect for a fictional story about goblins. Here’s what happened.

In 1989, I moved to Nashville to a sprawling one-story house. Shortly after we moved in, we began hearing moaning sounds, particularly near the master bedroom. I would comb my hair at the mirror listening to “AWOOO.” The house had no real basement, just a crawl space you could see from inside the garage.  If you wanted to find out where the sound was coming from, you had to wiggle on your belly across the dirt in the darkness. Definitely not for me. My husband was not interested, either. But on and off, we kept hearing this “AWOO” floating up from under the house. We joked we had a moaning ghost in the house.

Armed with the memory of this incident, I wrote “The Goblin In The Synagogue Cellar,” which was published in the October 2005 issue of Spider Magazine. This story is about a town of fearful people in Eastern Europe with overactive imaginations. They hear a strange noise in the cellar and imagine an enormous green monster with red eyes and claws as long as knives. After much teeth gnashing and hand wringing, they learn that the moaning culprit is a little cat trapped in the basement.

Which is more or less what happened at my new house in Nashville. We figured out it was a kitty and lured it out of the darkness with a bowl of milk. However, unlike the characters in my story, we did not name the cat, “Goblin,” and keep it as a pet. Our trapped cat darted through the open garage door for his own home.

I am sure you have experienced a spooky moment or two in your life. An unexplained knock on a door. A strange noise coming out of the vent. An object mysteriously moved. A flash of light followed by the thump of feet on the stairs. But there is no one else in the house. What was it?

Share these experiences with your students and ask them to share spooky moments with you. You might hear a funny story about a little boy who hid under the bed when he heard a thumping sound in the closet, only to learn later that it was the dog. I’ve heard stories about moaning sounds coming from vents, toilets that flushed by themselves, and wall panels that mysteriously moved. All of these spooky moments are great ideas for personal narratives or fiction writing.

While not all schools or families recognize Halloween, children still see decorations everywhere and television episodes on this holiday. Writing about a spooky moment can give everyone an opportunity to share in October excitement. Most of us can remember a time when we were scared of an unexplained noise that turned out to be nothing.

Make pencils to fly across the page like a broomstick in the sky. Ask your students to write about their own spooky moment!




Monday, July 16, 2012

TRYING A NEW FOOD WITH A BEGINNING, MIDDLE, AND END


Before our oldest son moved to New York City and married a New York girl, my husband and I were pretty timid when it came to restaurants. We almost always chose the same chain restaurants with American style food.  But entertaining New Yorkers, accustomed to a wide variety of ethnic cuisine, forced us to broaden our palates. We didn't want to be called boring by our adult children.

So the first time I tried Indian food, I was with my son and daughter-in-law at an independent local restaurant I had found in a coupon book and hoped was good. I didn’t really care if I liked the food or not. I just wanted my kids to be impressed that I had suggested something other than Outback or Olive Garden.

The restaurant was decorated in red and black. There was an open beaded curtain draping the entrance to the dining area that jingled softly as we walked through. When we sat down at a polished black wood table, the waiter told us the meal was a buffet.  We went up to the serving line to see an assortment of colorful dishes in steaming metal hot trays. Each one contained vegetables and/or meat in a dark sauce. No plain meat patties or white potatoes in sight. Spices I later learned were cumin and tumeric tickled my nose. A creamed spinach with homemade cheese chunks caught my eye. Everything was labeled clearly, so I knew that the brown lumpy substance in front of me was eggplant and onions, not a mystery meat. I took little portions of several things before going back for seconds. Some of the foods were a little spicy for my previously unadventurous palate, but I found most of them very flavorful and a nice change from more bland American style fare. I especially enjoyed the sweet carrot pudding on the dessert table. I’ve always been a fan of carrot cake and tapioca pudding. The Indian carrot pudding was a soupy mixture of them both.

All in all, I was surprised by how much I enjoyed Indian food. From that time on, I’ve eaten at several different Indian restaurants and always enjoyed it. In fact, Indian food was my choice for a birthday and Mother’s Day treat in recent years.

So that’s my story of trying a new type of food for the first time. What’s your story? If you are looking for an easy structured lesson to demonstrate beginning, middle, and end, try asking your students to describe the first time they tried a new food. Ask them to answer the following questions in sequence:

BEGINNING:
1. Where were you and who was with you?
2. Why did you try the new food?

MIDDLE:
3. Describe the food and the place where you ate it, with sensory details. How did it taste, smell, look, etc? Can you compare it to other foods or experiences?

CONCLUSION:
4. What did you learn? Would you try the food again?

Conclusions, which are often hard for young writers, are particularly easy to develop when writing about a new food experience. It is natural to discuss one’s decision to eat the food again or not. With luck, this concept will transfer to narratives on other topics, such as vacations or accidents. Would you like to go there again? Did the experience teach you something about yourself?

So try asking your students to write about the first time they tasted a new food. And when you present the idea, describe a new food experience of your own. Students love to learn more about their teachers and when you write the prompt yourself first, you can give them a model to follow.

Monday, December 5, 2011

WHAT DID YOU LEARN? CREATING THOUGHTFUL NARRATIVES


Personal narratives are a big part of any elementary writing curriculum. Primary school students not only enjoy writing about their personal experiences, classmates enjoy reading each other’s accounts of birthday parties and play dates, especially when they find themselves mentioned.

However, sometimes accounts of vacation trips and holiday gatherings can read like an uninspired and rambling list. Do we really need to know every item ordered by every family member at a restaurant? And a sequential list of every television show watched in a 24 hour period will definitely put a reader to sleep. How can we encourage students to write personal narratives with memorable details and thoughtful reflections?

Ask students if a vacation gave them an opportunity to learn how to do something new. Was it the first time at the beach or on an airplane? Did something amusing happen? For example, one student’s writing discussed a trip to a high rise hotel. After paragraphs of many mundane details about the taxi cab ride, checking in, and unpacking, the student discussed what happened when the family went to explore the hotel. The two children ran ahead of the parents and went up in the hotel elevator alone. Could the story be rewritten to highlight this incident? How did it feel to be in the elevator with your younger brother, going up to the 25th floor? Did you worry your parents while you had a fun adventure? Did you learn anything from the experience? Expanding one event, often buried in a blow-by-blow description of a family vacation, can turn a rambling narrative into an intriguing read. To begin the transition to more focused personal narratives, ask students to identify the most interesting part of their story and then begin a new narrative, describing just that part in more detail. Remind students to include their own feelings, observations, and lessons learned.

After students have identified the most compelling moment in an existing narrative, ask them to concentrate on a single incident for the next  story. Do you remember a time in your childhood when you did something your family found amusing or particularly annoying? One of my students remembered a time when he climbed onto a dining table to examine a bowl full of apples. He took one bite out of each apple and put it back in the bowl. A description of his actions and then subsequent surprise at his mother’s reaction was great material for an amusing story. Another student decided to write about her mischievous baby brother. Rather than listing one childish misdeed after another in a story that could potentially go on for ten pages, the student decided to zero in on the time her mom left her purse within the baby’s reach. The toddler took out Mom’s lipstick and smeared his entire body with it. In that story, Mom learned a lesson!

Another strategy is to focus on a problem or obstacle and how it was overcome. Were you afraid to go off the diving board? Did you hate a certain food your family wanted you to try? Did you fight with a sibling and resolve the conflict in a creative way?

Encourage your students to begin their narratives with a clear idea of what they want to convey to the reader. Is this a story about your first experience with something? Is it a story about a lesson learned or problem solved? Is it a funny story? Ask students to identify the emotion they want the reader to feel. Do you want your reader to laugh? Empathize? Or simply nod his head in agreement? 

Even the youngest student can be encouraged to add insightful comments to personal narratives. Rather than ending the piece with “then we went home,” ask students to tell the reader how they felt about the experience. Would you want to do it again? Did you learn anything? Would you recommend this experience to others?

Personal narratives are a powerful form of writing. Inspire your students to harness that power with personal reflections. It will help them grow as writers and as individuals. 

http://www.jacquelinejules.com/

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