Showing posts with label Persuasive Writing. Show all posts
Showing posts with label Persuasive Writing. Show all posts

Monday, October 10, 2022

Persuasive Writing: A Letter to a Bully

In My Name is Hamburger, ten-year-old Trudie Hamburger is ashamed of her last name. Daniel Reynolds, the class bully, frequently reminds her that it means, “Chopped meat. Something a butcher grinds up.”  

My Name is Hamburger takes place in 1962 in the small southern town of Colburn. As the Jewish child of a German-speaking immigrant, Trudie stands out as different from her peers. When a Korean boy joins her class, she feels guilty, knowing negative attention has been diverted away from her and onto him. Trudie doesn’t like being a bystander any better than being a victim. She doesn’t know what to do.  

Only after a family crisis and the support of friends is Trudie able to stand up for herself.

Something people cook on the fourth of July,”

I answer. “An all-American food!”

Daniel blinks as if he can’t believe

someone like me, with a dad from somewhere else,

knows what Americans eat. But he doesn’t say more

because I got the last word today.

My name is Hamburger. An all-American food.

Writing Prompt: To stop a bully, it helps if both the victim and the bystander speak out. Write a persuasive letter from either the perspective of a person being bullied or a person watching cruel treatment. Express your emotions in the letter. Do you feel anger, fear, or hope that relationships could change? Can you share personal experiences or reasons why bullying behavior hurts all involved? Do you have the courage to try and persuade a bully to rethink his/her behavior?    

Jacqueline Jules

Monday, November 6, 2017

I'm Not Taking a Bath


In Peep and Egg’s third adventure, Peep And Egg: I’m Not Taking A Bath, Egg gets muddy playing with the pigs. Peep tries to convince Egg to take a bath…but Egg is not taking a bath. No way, no how!


After you read Peep And Egg: I’m Not Taking A Bath out loud to your class, try these activities to get your students writing.

1. Persuasive Writing
Peep tries to convince Egg to take a bath by suggesting different alternatives, such as going to the river, or the duck pond, or the dog bowl.
Write a letter to Egg. In your letter, try to convince Egg to try something new. It could be anything! Maybe you think Egg should go on a roller coaster. Maybe you think Egg should try your favorite video game. In your letter, give at least three reasons to convince Egg.
2. Excuses, excuses!
Peep gives a lot of reasons why taking a bath is not happening—too wet, too bubbly, too slobbery!
Imagine a family member is telling you to clean your room. Make up a list of excuses to show why you can’t possibly clean your room.
3. Make it fun!
Peep finally convinces Egg to take a bath by making bath time seem like a lot of fun.
Imagine it is your job to take out the trash or sweep the floor, but you don’t want to do it. How could you convince a brother, sister, cousin, or friend to do the job instead, by making the job seem super fun? Think of a game to make taking out the trash or sweeping the floor seem as fun as going to Disneyworld!


Monday, December 12, 2016

The Power (and Art) of Dissent

Guest Post by Debbie Levy

 I Dissent: Ruth Bader Ginsburg Makes Her Mark tells the story of Ruth Bader Ginsburg’s life and work through the lens of her many disagreements and dissents, ever since she was a little girl. The book illuminates this central theme: disagreeing does not make you disagreeable, and important change happens one disagreement at a time.


I think that RBG is such a fine example to hold up for our children. She’s a person who has been a change-maker and path-breaker through her disagreements. As importantly, her example shows that one can disagree and make big change happen without resorting to personal attacks, without insulting your opponents, and without closing yourself off to opposing points of view.
          A variation on the “I dissent” theme appears on nearly every spread in the book:
·       “She protested” (as a schoolgirl, to being forced to write with her right hand even though she is left-handed).
·       “Ruth objected” (also in school, to the rule that required girls to take home ec, reserving shop class for boys).
·       “Ruth disapproved right back” (when people disapproved of her decision to go to law school).
·       “She resisted. And persisted” (when, as a young law school graduate at the top of her class, no one would hire her because she was a woman, a mother, and a Jew).
          And so on. Today, of course, she is United States Supreme Court Justice Ruth Bader Ginsburg—and she is still known for her dissents from court rulings that she considers wrongly decided.
          But simply disagreeing or dissenting, without more, isn’t really enough if you want to change your life or anyone else’s. On the back of book jacket for I Dissent, there’s this, one of my favorite RBG quotes: “Fight for the things that you care about. But do it in a way that will lead others to join you.” Sounds simple, right? But it’s that second sentence that is so hard to pull off. And here is where educators (and parents and other adults) can help children discover the power of dissent and of persuasive argument.


First, we can use the language of I Dissent to broaden students’ vocabulary of disagreement. I’m talking about words like:
 accept - protest - support - disagree - object - defend - resist - approve - concur - differ -dissent -  agree


Students can start by putting these words on a continuum—or a “semantic gradient.” (I am indebted for this idea to Myra Zarnowski, professor in the Department of Elementary and Early  Childhood Education at Queens College, CUNY, who includes it in the I Dissent Curriculum Guide she wrote for my publisher, Simon & Schuster.) “Agree” can be on one end of the gradient; “dissent” on the other. There is no single correct way to array these words! But this is a good way to get kids talking about the shades of meaning in words that we often use interchangeably, or as opposites.

          
Second, we can use the themes of I Dissent to help develop students’ skills at engaging in effective and appropriate disagreement. I’ve had fun with third and fourth graders by having them take on the proposition: You should only be allowed to play video games after school once you’ve finished your homework. Most kids seem to dissent! So they make their case for taking time to relax before doing their homework. And they practice the elements of effective arguing, like:
·       presenting ideas that they’ve thought through—not just “because I want to”
·       having facts and evidence to back up what they’re saying
·       disagreeing respectfully, without attacking the person who holds opposing ideas
          Third, we can use RBG’s example to discuss—and write about—when the expression of disagreement is most important, and when expressions of disagreement may be more hurtful than helpful. Ask students to respond to this question:
          When have you seen or heard something that you disagreed with, that you either challenged or wanted to challenge?
          The idea here is to encourage young writers to think about speaking out when they see bullying, or when they’re told to do something they think is wrong, or when someone says something about another person that they believe is untrue. Let’s also get them thinking about when a disagreement isn’t important enough to voice, especially if it might be hurtful—such as disagreement with another’s choice of clothing or what’s in their lunchbox.
          And fourth, readers of I Dissent will notice that RBG did not succeed at everything she tried. She has had setbacks and failures. Ask students to think about their own setbacks, and to write about what they learned from their failures. Everyone has them. What can young writers do with theirs?


Debbie Levy is the award-winning author of nonfiction and fiction books for young people, including I Dissent: Ruth Bader Ginsburg Makes Her Mark; We Shall Overcome: The Story of a Song; The Year of Goodbyes: A True Story of Friendship, Family, and Farewells; and Dozer’s Run: A True Story of a Dog and His Race. Debbie’s next book, Soldier Song: A True Story of the Civil War, is an 80-page picture book for older children about how music, and one song in particular, brought the two sides of the struggle together for one night, enabling the soldiers to see the other side—the enemy—as fellow human beings. It comes out in February 2017. Visit her online at debbielevybooks.com

Monday, November 28, 2016

IF YOU COULD HAVE A SUPERPOWER


I am excited to announce that Freddie Ramos Rules New York was released in October 2016. This book is the sixth in the Zapato Power series about Freddie Ramos, the boy with super-powered purple sneakers. 



In Freddie’s newest adventure, he outgrows his special sneakers and must adjust to a larger pair. But will his new shoes work as well as his old ones? Freddie  contemplates the possibilities during a bus ride to New York.

          Uh-oh! Did my new zapatos give me super hearing? What about super speed? And super bounce? Could they do all three? I had two buttons on my wristband. What if two powers was all I got? Which ones did I want the most?
          Super hearing would be good when I wanted to hear what grown-ups were saying. Would I like it as much as running fast?
          I had to get off the bus and find out what my new shoes could do! But I was stuck in the window seat, watching more brown fields and buildings go by. How much longer till New York?

The inspiration for the Zapato Power series came from students when I worked as an elementary school librarian. My students never tired of discussing their favorite superpower and the requests for books on superheroes never stopped. The interest was especially intense when I shared Margaret Mahy’s The Seven Chinese Brothers in story time. This traditional tale is about seven identical brothers who each have a special skill. One brother has super strength. Another brother has super sight and so forth. My students and I had many lively conversations over which brother had the best super skill.
         
The process of choosing one superpower over another can develop critical thinking skills. Ask your students to write pros and cons for a list of selected superpowers. This can lead to a persuasive writing exercise in which students explain why the superpower of their choice is the most useful and effective for their particular needs. A high interest topic like this can motivate even the most reluctant of writers.
         
In the Zapato Power books, Freddie Ramos has trouble navigating the ordinary world with his superpowers. Ask your students to write about how they think their lives might change if they had super speed or super hearing. What kind of challenges might they face? Would it be difficult to keep your superpower a secret? Would you be tempted to eavesdrop on your friends or use super speed to an unfair advantage in athletic events? Ask your students to really examine how they would use their superpower and when.

There are many questions to consider. Would you try to stop bullies and make the world a better place? Would you enjoy doing good deeds if no one knew you were responsible? A list of writing prompts are available on this page of the Zapato Power Activity Guide. Enjoy!



Monday, April 18, 2016

Writing Connections with Dan Gutman


Like a master alchemist, Dan Gutman can take ordinary stuff and turn it into comic gold.  As the best-selling author of 125 books, he knows how to keep kids laughing as they turn the pages.  I recently interviewed him for KidsPost/WashingtonPost about the first book (The Lincoln Project) in his new history series, “Flashback Four.”  With its time-travel shenanigans, the new series is sure to be as popular as Gutman’s “My Weird School” and “Baseball Card Adventure” series.


Below are writing lessons for the classroom or for individual writers ages 8 and up.  Gutman’s website www.dangutman.com includes puzzles and games related to his books.



VIEWS OF HISTORY:  In the “Lincoln Project,” the four main characters travel back to the time of the Gettysburg Address, in 1863, for a wild adventure.  But each experiences that time differently, depending on race and gender.  Luke and Julia are white, Isabel is a scholarly Hispanic girl and David is an African American boy.

Classroom Discussion:  Ask students to read the book and to jot down differences between the way boys and girls dressed or were treated.  How about African American and white people?  What is David worried about?

Classroom Writing: Ask each student to list what they would have liked/disliked/been worried about if they had traveled on Miss Z’s invention back to Gettysburg, in 1863.  What would have been their favorite thing? Now, ask them to be someone from a different race and/or gender and do the same thing.  How were the answers different?

Classroom Writing:  Miss Z has tapped you to be one of her time-traveling students.  What point in time would you like to travel back to—and where?  (It doesn’t have to be the United States.)  What important moment would you take a photo of?  Write Miss Z a letter explaining (1) why you are the best person to go, (2) why this place and time are important to visit, and (3) why it is important that this moment be photographed.  To prepare the most persuasive letters, ask students to do some research into their point in history.  Ask them to write down what excites them and what they may be afraid of.  How do they think they will be treated back then?  Give some reasons why.



Monday, March 28, 2016

Michael Shiner: A True American Original


“It is sometimes called the City of Magnificent Distances, but it might with greater propriety be termed the City of Magnificent Intentions…”   That’s how Charles Dickens described Washington, D.C., when he visited in 1842.  The only compliment he paid to Washington was the “very pleasant and commodious library in the Capitol.”


In Capital Days, Michael Shiner’s Journal and the Growth of Our Nation’s Capital, Tonya Bolden recounts the history of Washington, D.C., often from the point of view of Michael Shiner, born enslaved but able to secure freedom for himself and his family.  He spent most of his life working at the Washington Navy Yard, keeping a journal that cataloged some of the city’s most important events, including numerous fires, laying the cornerstone for the Washington Monument and the inauguration of 11 presidents.

Bolden is the winner of the 2016 Children’s Book Guild Nonfiction Award.  She is honored for all of her books, including many stories of American history, often from the point of view of African Americans.  Bolden will be honored at an Award Luncheon on April 9 in Washington, D.C., and everyone is invited.  Find the details here. 

Bolden’s books are rich with opportunities for student research and writing.

In addition to Michael Shiner’s journal itself, Capital Days is filled with pictures and stories drawn from original documents. Here is a poster published by the Anti-Slavery Society as part of its campaign to end slavery and slave trading in Washington, D.C. 



·       Ask students to create their own anti-slavery poster.  What would they say or show that might convince legislators to make slavery and slave trading illegal in the nation’s capital?

In 1807, three free black men who could neither read nor write established Bell School near the Washington Navy Yard where they worked. It was the first school for black children in the nation’s capital. 

·       Have one student pretend to be carpenter George Bell while another interviews him. Why did Mr. Bell think it was important to start a school? Who did he expect to attend the school (boys and girls)? What problems or challenges did he encounter in opening the school? Both students can write newspaper articles based on Mr. Bell’s answers.

Read the full quote about Washington from Charles Dickens, where he writes very disparagingly of “spacious avenues that begin in nothing and lead nowhere.”

·       Ask students to write a review of their own city, as if they were writing for Yelp or TripAdvisor.

Reading Michael Shiner’s journal was like having a conversation with him across the dinner table about daily events. In 1861, “they commenced hauling flour from the different warehouses in Washington, D.C., and Georgetown to the Capitol of the United States.”  The Capitol – still under construction – would serve as a bakery, barracks and hospital for Union troops.

·       Ask students to interview a long time resident of their community – perhaps a relative or resident of a retirement community.  Ask about details of a particularly important event in the community or even the nation and turn those details into a narrative description or story.


Capital Days is also an excellent tool to help students learn the importance of good glossaries, thorough footnotes and an index. In her Author’s Note, Bolden calls Shiner a “true American original.”

Monday, February 29, 2016

FERRIS WHEEL DREAMS


Have you seen a toy or gadget and thought, “I could make a better one than that!”  That was exactly what George Ferris thought when he lay in the grass as a boy watching a waterwheel move.

“The boy watched, fascinated. Maybe there is another way to make a wheel go around, he thought.” 

Betsy Harvey Kraft tells Ferris’ story in The Fantastic Ferris Wheel: The Story of Inventor George Ferris.



Indeed there was. Ferris became an engineer and designed a spectacular wheel that would carry people over the Chicago World’s Fair in 1893.

George must be out of his mind,” thought other engineers when they saw that George intended for people to ride passenger cars attached to his giant wheel.  The public wasn’t sure either.  “Some people were terrified just looking at it. Others couldn’t wait to ride on it.”

Thousands did indeed ride the wheel on the first day. “One thrill was enough for some folks; others raced to the end of the ticket line for another ride.”



There are several ways to turn the exciting (and sometimes sad) story of George Ferris and his invention into a writing workshop.

1) Ask students what they would like to invent.
        Write a request for money or supplies to create your invention. Explain what the invention does and why it is worth spending money to make it - especially someone else’s money.  Write a persuasive essay or letter to a parent, a local business or even a big foundation.

2) Think about the people who had a chance to ride that very first Ferris wheel.
        Would you have been terrified just looking at it? Or would you be first in line to ride on the Ferris wheel?  Explain why (or draw a picture of yourself near or on the Ferris wheel).

3) George Ferris’ first wheel was moved from Chicago to St Louis for another world’s fair in 1904, but after that fair, there was “no new home for the wheel. It was destroyed with dynamite and sold for scrap.”
        What do you think should have happened to the first Ferris wheel instead?

Important inventions often start with dreams. “As long as there are dreamers like George Ferris ready to make big plans, the world can look forward to wonderous new inventions like his.”


Monday, November 16, 2015

RISK AND REWARD

Guest Post by Debbie Levy

            Visitors to this blog who are in the teaching and reading professions know—better than I—of the movement among literacy experts to give children more so-called “risky” texts to read, listen to, and discuss. By definition, risky texts raise difficult issues, and these educators say that kids can handle them, when the books are age-appropriate.
            Risky texts might raise feelings of sadness, guilt, or anger, even among young readers. That’s the risky part.
            But in my view, and the view of many others, the benefits can far outweigh the drawbacks. Quoting an academic paper I read recently: risky texts “can help students learn about . . . injustices, make connections to their own lives and broader social contexts, and consider potential actions to redress these injustices.” They also promote empathy and a moral sensibility to the sufferings of others.

            I didn’t set out to write a “risky book” when I wrote We Shall Overcome: The Story of a Song, a picture book about how voices upon voices over years upon years built up this famous song like a collage. The book describes how this song came to be and how it helped the people who sang it while they fought against injustice—and how it still helps people today.
            The book starts like this:

Back in slavery times—
when enslaved people worked long days
with no pay and no say,
no freedom, no fairness,
no choice and no chance—
the people sang.
They suffered, yet they sang—
to soothe the hurt,
to fight the cruelty,
to declare that—yes!—they were human beings.
            Each spread has lyrics from the song, or precursor of the song. The book travels through different historical events and times in which the song evolved and played a part.
            I didn’t think of it as a risky book.
            But this past August I received a letter about the book—about this page:

            The text, if you can’t read it in the image, reads as follows:
It took a war—the Civil War—to end slavery.
But even after,
white people treated black people
as less than fully human,
excluding them, ignoring them,
blaming them,
even attacking them,
all because of the color of their skin.
Black people were no longer slaves,
it was true.
But they were not truly free.
Still they believed things would get better.
Still they sang.
           
            As I said, I received a letter.
            “Hello,” the letter began, “at work we had a book fair, and I purchased your book We Shall Overcome. My mouth dropped on page 7, and I had to put the book down! . . . Why didn’t it just say, after the civil war, ‘people’ still had a hard time getting along or understanding. Why did you have to be so . . . I don’t have words. . . . I thought the book would be shocking to read to my grandson.”
            Now, I wouldn’t want to take the approach this letter-writer wanted: to suggest that the problem after the Civil War was that people had a hard time getting along. The problem was racism, and although this book doesn’t use –ism words, I wanted readers to know that white-on-black prejudice was the problem. It wasn’t a matter of simply not getting along.
            Reasonable minds can certainly differ on what a particular child should read. And, of course, a grandmother should choose what she’s comfortable reading to her grandchild. But I do want children to know and to face truths, even uncomfortable ones. I think they are capable. And I think that facing truths is something that goes on, and should go on, in our schools. Which brings me to using this book in the classroom—both as part of social justice education and to get kids writing about how to respond to injustice.
            In my own interactions with young students around this book, I’ve found that they don’t necessarily grasp the notion of racial bigotry at first. (Not a bad form of ignorance!) But we do need to introduce them to this part of our history, which, as we adults know, isn’t really a thing of the past.
            So, with the younger students, I like to begin by talking about unfairness, with some “what if?” questions. What if you couldn’t go to your favorite park because of your hair color? Had to sit apart in school or on bus or in movies because you go to a different church—or don’t go to church? Couldn’t go to the place where they serve the best ice cream in town because only blue people can and you are orange?
            They giggle, but they get it. And then I talk about how, not so long ago, restaurants could refuse to serve you a meal if you were African American. I explain that, in those days, if you were African American, if you were Mexican American—you could not drink out of the same water fountains as white people in some parts of the country. (I share photographs of these and other segregationist practices. They are easy to find on the Internet.)
            So, I ask the kids, what’s unfair about all this? Write a letter to persuade the people in charge—the owner of a restaurant or theater or ice cream parlor, the superintendent of a county park, the president of the bus company—to allow equal access to these places.
            And I ask: if you were being treated so unfairly, or if someone you loved were, how would you feel? Write a diary entry about this.
            We can agree that being treating this unfairly could make you so angry and frustrated that you might want to fight. But fighting with your fists could create even more problems for you and it probably wouldn’t get you what you wanted.
            So, I ask the students, how can you fight with your brain? This is a good question to discuss in a group. And it’s a good question to lead into reading my book, because the story of the song “We Shall Overcome” is in part the story of the ways people in the civil rights movement thoughtfully fought against race discrimination.
            After reading the book and after singing the song, I ask: why was singing part of the fight against unfairness? (I have my answers. Singing shows the people who are treating you unfairly that you are strong, that you are a human being, and that you will be heard. And singing can give you courage and can lift your spirits—especially if you’re singing with others. But I want to know what the students think.)
            Two more writing activities after reading the book:
            Write a journal entry from the point of view of a person who lived through one of the time periods in the story and timeline. It can be someone who participated in the struggle. It can be someone on the sidelines. Someone black, someone white.
            Finally:
            Write your own new verses for the song, verses that respond to problems you see in your or community today. (Bullying comes to mind. Social shaming, too. But let’s see what’s on the students’ minds!)
            This last activity is my favorite. The song’s structure is simplicity itself, so everyone can succeed at this. I like encouraging the idea that everyone can author his or own lyrics about fighting injustice. And the lyrics can lead to a discussion of these difficult issues. The new verses, like “We will stand with you,” or “We are on your side,” are among the rewards for taking on a “risky” subject.

Debbie Levy is the author of more than twenty books of fiction, nonfiction, and poetry for young people, including the Jane Addams Award Honor book, We Shall Overcome: The Story of a Song, and the Sydney Taylor Notable book, The Year of Goodbyes. Visit http://debbielevybooks.com/
             


Monday, November 24, 2014

Defending Decisions in a Disaster

Guest Post by Yvonne Ventresca

In my young adult novel, Pandemic (Sky Pony Press, 2014), only a few people know what caused Lilianna Snyder's sudden change. She goes from a model student to a withdrawn pessimist who worries about all kinds of disasters. After her parents are called away on business, Lil’s town is hit by what soon becomes a widespread fatal illness. With her worst fears realized, Lil must find a way to survive not only the outbreak and its real-life consequences, but also her own personal demons.

Writing Exercise One:
During the Spanish Influenza of 1918, people worried about the flu being spread in remote areas by the mail carrier. With no easy way to notify the community of deaths, people used colored ribbons on their doors. A silver ribbon, for example, meant the death of an elderly person. In Pandemic, Jay Martinez creates a blog for local high school students to keep in touch about illnesses, deaths, and requests for needed supplies.

How do the technological advances of the last hundred years change society’s reaction to deadly contagious diseases? What are the pros and cons of social media and news coverage in today’s world compared to historical outbreaks?

Writing Exercise Two:
During any widespread contagious disease, decisions need to be made about how a vaccine or a medicine would be distributed among the public. In Pandemic, Lil sees one expert on TV discuss the antivirals that are available in limited amounts to help victims of the bird flu.  The expert says about the fictional disease (Chapter 26):

“All citizens between fifteen and fifty are at risk…So, who gets it first?  Pregnant women?  People with preexisting conditions, like asthma?  But we can’t expect the emergency system to work if those on the front lines aren’t protected.  Not only doctors and nurses but EMT volunteers, police, and firefighters are expected to help the ill.  With the flu so easily transmitted, is it fair to ask them to do so without some kind of protective measures?” 

If you had to make the decision, how would you go about distributing a medicine or vaccine during a widespread deadly illness? What factors would you consider?

BIO: Yvonne Ventresca is the author of Pandemic, a contemporary, realistic young adult novel about an emotionally traumatized teenager struggling to survive a deadly flu pandemic. Yvonne’s other writing credits include two nonfiction books for kids, Avril Lavigne (a biography of the singer) and Publishing (about careers in the field). Yvonne lives in NJ with her family and two dogs. You can learn more about Yvonne and her writing at YvonneVentresca.com.

Monday, August 18, 2014

SUMMER OR AUTUMN


School may have started where you live, or it will start soon, but you can keep summer memories strong and celebrate the season to come, too. This easy and fun writing exercise encourages students to use personal experiences to compare and contrast the seasons of summer and autumn.

Write your favorite summer activity.
Example: Swimming at the local pool

Write five personal facts about that activity.           
Example:
Swimming helps me keep cool on a hot day.
It’s fun splashing with my friends.
I like to dive off the side of the pool.
I came in third in the backstroke race in my age group.
My arms are strong from swimming. 

Write your favorite summer food.
Example: Watermelon

Write five personal facts about that food.
It tastes sweet.
It’s cool in my mouth on a hot day.
I like to collect watermelon seeds.
I planted a whole cup of seeds in my yard.
It’s fun to eat watermelon with my hands.

Write your favorite autumn activity.
Making a leaf pile in my back yard.

Write five facts about that activity.
I help my family rake leaves in our yard.
I like to pile the leaves next to an old tree stump in our backyard.
Jumping into a giant pile of leaves is fun.
One leaf pile I made was taller than my dad.
My dog likes to hide in a leaf pile.

Write your favorite autumn food.
Apple pie

Write five facts about that food.
My family goes to a farm to pick apples for pies.
Fresh apples off a tree are fun to pick and crunchy to eat.
I help my mom make crusts for pies.
Apple pie makes our house smell like cinnamon when it’s baking in the oven.
Warm apple pie makes vanilla ice cream melt, but it tastes great together.

Use the personal experience facts you’ve listed to write a convincing explanation for readers why you believe one of these seasons is more enjoyable than the other.


Monday, September 2, 2013

YOUR OWN WEATHER MACHINE: FUN WITH PERSUASIVE WRITING


Wishing you were in Hawaii, but can’t pay for those plane tickets? Just bring that wonderful weather to your local area with just a click of a button. That heavy rainfall will transport to Hawaii, or wherever you want, and that wonderful weather will transport to you! Get the Weather Mover Máquinas today! –Laila

Looking for a lesson that combines science, persuasive writing, and fun? Then look no further than the Weather Machine Lesson developed by fourth grade teacher extraordinaire, Jessica Barber.

I had the pleasure of visiting Jessica’s classroom and seeing the pride and excitement over the fantastic Weather Machines her students had created.

Is it too bright outside? Are the clouds that are blocking the sun annoying you? Well then if this is the case the cloud controllinator 8,674 will come in handy. The cloud controllinator 8,674 (CC 8,674) can make or remove clouds in the sky. You have the option of storm clouds, rain clouds or no storm clouds.—Avery

Jessica begins her lesson with a readaloud from an out-of-print book called Everyone Always Complains About the Weather by Truman Vega. However, your own favorite picture book about inventions should do just fine. The idea is to get your students thinking about inventions, particularly fanciful ones.

Next, Jessica tells her students they will be creating their own weather machine. She lets them begin formulating ideas by drawing a picture. Here is an example from a student named Catherine who created the Weather Wisher 2000.

Starting with the fact that this machine only costs $20.00, and if you act now you can get 50% off! Also every customer gets free shipping and handling. It also is solar powered, so it doesn’t make your electric bill go off the chart. But it will still work perfectly when it's raining because it stores half its energy, when it’s charging. — Catherine

The following day, Jessica gives her students a goal. You must describe your machine in a way that will make others want to buy it. The class discusses commercials. She shows a few examples. The commercials for products only available on TV may stimulate the most entertaining pieces.


For a payment of only 75 dollars plus 12 dollars for shipping and handling and an extra 20 dollars, cause we say so. If you chip in a donation of any amount we’ll throw in a free Spongebob limited edition movie! What a snag! –Abi

To develop ideas, Jessica gives her students a graphic organizer to list positive features of their weather invention and ways to refute any possible arguments against its purchase.

You may be wondering, will it run out of fuel eventually? Well your answer is no, the Storm Master 7006 does not even take fuel! It is eco friendly and is charged with electricity. With the plug we provide for you, just plop it into an electrical socket and the power will be up in under 24 hours! It also holds its energy for a week! But if the Storm Master 7006 is low in power while in the air, don't worry! It gains electricity from lightning strikes by redirecting the strikes to its beacon up top, re-powering it completely from a single strike! – Niko

The graphic organizer includes boxes for students to put an introductory paragraph with an interesting lead, the body of the story, and a concluding statement. Jessica spends at least a day on practicing and sharing introductions and day on strong conclusions. Students practice multiple versions of introductions and conclusions, using the class feedback to help to pick their favorite one. 

With the Storm Master 7006, the gloominess of the rain will vanish! Guaranteed a rainbow after every storm!!!!—Niko

Try this lesson today! You won’t be sorry!


Monday, November 12, 2012

IF YOU ELECT ME

by Laura Krauss Melmed

Last week I worked with a sixth grade class of about twenty students in a single session poetry workshop.  When I introduced our topic, Hurricane Sandy, some of the boys said they wanted to write about the election instead, since after all, it was the morning of November 6.  The students even started calling out some spontaneous, funny rhyming lines on the subject.   But feeling rather tense about the possible outcome of the election and also wanting to stick to my lesson plan, I had them stay with the topic of the storm.

Once the election was over, I began playing with the question of how it could have become the focal point of a lesson in creative writing.   What if the students were presented with a set of election rivals, but instead of real politicians like President Obama and Mitt Romney, they were funny combinations of rivals such as Cat and Dog vying for Best Pet, or Moon and Sun competing for Best Celestial Body, or Broccoli and Candy Bar facing off for Best Food.  Students could break into two teams, each tasked with preparing materials for one of the candidates.   It would be each team’s job to convince the “voters” that their candidate should win by producing materials such as a campaign slogan, a stump speech, a poster and maybe even a (non-negative!) TV ad.  To accomplish this, students would have to combine creative thinking with humor and the art of persuasive writing.  To conclude, each team might present their materials to another class to be followed by a mock election.  

But getting back to last week’s workshop on the storm, here is the poem my group produced together: 

Loosen the twisting, powerful drops that splash
Loosen the monstrous gale of the wolf
Loosen the sound of the drums
Let the shredding winds go free!