THE POWER OF PUBLISHING

by Jacqueline Jules

At the end of the year, many schools publish literary magazines. It’s a wonderful way to help young writers see that they write for a purpose and an audience. Publication is also a powerful motivator for revision.

Before you send your literary magazine to the printer or post it online, give your students the opportunity to see “proof pages” of their entry. This simulates the real world model many magazines and publishing houses follow of giving authors one last final approval before publication. Explain to the students that this is their chance to look over their work and make any necessary changes before it is presented to the public. You might be surprised how seriously even elementary school students take this responsibility.

Presented with a typed and formatted version of their own writing, students will suddenly see repetitious or weak word choices. They will add snappier endings or beginnings and they will find typos you missed. Some will even come up with stronger titles.

I recently visited five third grade classes with proof pages of work most of them had completed at least two months prior. All of these students had previously seen their stories typed on an individual page. They had chosen the font type and formatting. However, when told that their work would be part of a grade level book, they re-read their work with a critical eye. Working in pairs, they read their own work and their partners', checking for mistakes and making suggestions. They were told to write on the papers directly and put a 0,+1, +2, +3, etc, indicating how many changes they wanted.

One boy who had been lackadaisical about his writing in earlier conferences suddenly had all sorts of details he urgently wanted added to his story. His proof page came back with +8! Another girl changed the sentence, “It was sooo beautiful,” to “She was enchanted by its beauty.” Student after student crossed out bland words for more descriptive ones.

And while I am not a proponent of changing ,“said,” simply for variety since  there is no point in calling unnecessary attention to a speech tag, I was delighted when a child looked over his story and changed a “said” to “murmured.” The story was about a misunderstanding in a conversation. Indicating that one speaker mumbled, strengthened the whole story. Other third graders found inconsistencies in their stories such as “My mom drove the car. I don’t drive!”  Or, “The story shouldn’t take place in 55 A.D.” I even saw students catch pronouns with no antecedents. Wow!

Publishing student work in a literary magazine is time-consuming and can be expensive, but it is a powerful tool for motivating students to do their best work. There is something about knowing your work will be in an anthology beside other pieces that makes young writers realize that a little extra effort might just be worth it.

http://www.jacquelinejules.com/ 

PENCIL TIPS WRITING WORKSHOP: SALT IN THE SOUP OR HOW I LEARNED TO WRITE

by Jacqueline Jules

The more I work with student writers, the more I think about how I developed my own writing skills. When did I become careful about punctuation and spelling? When did I start making a conscious effort to add sensory details or to build a story arc with a satisfying conclusion? Looking back, I see that I learned to write the same way I learned to cook—by testing recipes and listening to advice.

As a young bride, I remember my mother-in-law tasting my soup and pronouncing it too salty to eat. You can bet that I followed the recipe more carefully the next time. I also remember a professor, my first year of college, who wrote in red ink, “Don’t bother passing in a paper with this many typos again.” My embarrassment over both incidents has changed to gratitude. Now I measure how much salt I put into my soup and I proofread my manuscripts carefully. Editors at publishing houses frequently admit that stories submitted with grammatical errors are tossed without reading. If I had never listened to that professor, I wouldn’t be the author of twenty-two children’s books today.

The first book in my Zapato Power series, Zapato Power: Freddie Ramos Takes Off, is dedicated to my writing group. Dedications like this are not uncommon. Authors frequently pay homage to the critique groups who made the suggestions that transformed a mediocre story into a publishable one. Editors are often thanked as well. Every time I read my Thanksgiving picture book, Duck for Turkey Day, I am grateful to my creative Albert Whitman editor, who gently but firmly guided me into writing an important new scene for the book.

      

Contemporary writing curriculums all urge educators to teach the writer, not the writing. While I understand that this advice is to discourage teachers from overwhelming young writers with too many suggestions at once, I still find the distinction puzzling. In my own experience as a writer, I know I have learned a great deal from the revision process of a particular piece, often guided by others who pointed out places in my story that didn’t make sense or fell flat. And I have seen my students come up with absolutely brilliant ideas for revision when I have questioned a sentence that confused me. I trust that my students will find that the lessons learned from fixing one story will carry over to the next. It is the recipe that guided me and most of the authors I know to publication.

Jacqueline Jules

http://www.jacquelinejules.com/