Showing posts with label Student Publishing. Show all posts
Showing posts with label Student Publishing. Show all posts

Monday, August 4, 2014

Got Secrets?: Publishing Opportunity for Students


I have had the distinct pleasure this summer of seeing a short story of mine in the literary journal Chautauqua, an anthology that is launched each summer at about this time up at the Chautauqua Institution in New York. (For the scoop on the Chautauqua Institution, visit their website: http://www.ciweb.org/about-us) As literary journals go, this is probably my favorite. Main reason: they publish youth writing as well as adult writing.

The submissions period for the next journal will open August 15 and close November 15. This is perfect for (a) the summer listless who are looking for something to fill the dog days, and (b) teachers and parents planning fall writing projects in classrooms and living rooms. The theme is “Privacy and Secrets.” The guidelines surrounding their “Young Voices” category are as follows:

Chautauqua has added a new section, which celebrates young writers, aged 12 to 18. Work should be submitted by a teacher, mentor, or parent. Please confirm on the entry that the piece can be classified as a Young Voices entry. We ask that young writers consider the theme. Essays and stories should remain under 1,500 words. For poetry, please submit no more than three poems and/or no more than six pages.

Whether you are planning a youth or adult entry, you will find more complete guidelines here, and information for ordering current or back issues: http://www.ciweb.org/literary-journal




Monday, June 11, 2012

DIVING LESSONS

by Jane Harrington

New to this blog, I’ve been reading over prior posts and thinking about what writing workshop advice I can offer that hasn’t already, and so swimmingly, been addressed. What ideas might I stand on and spring from? What words of wisdom will land me in this pool with but a graceful ripple? It should be something gentle, coaxing, encouraging.…

Nah. I’m going with the cannonball, the big splash. Today’s topic: REJECTION.

Believe it or not, I’ve had good fun with this at author visits. After getting the How do you get published? question for years, I began keeping a list of publishing opportunities for young wordsmiths on my website. Eyes open wide when I scroll through this list and preview some of the print magazines that publish children’s writing and art (Creative Kids, Stone Soup), writing communities that allow kids to start their own serial novels (Figment), and social literary networks for book chatting and reviewing (Goodreads). And when they see a list of writing contests—well, the energy in the room is palpable. Then I tell them that they’ll probably be rejected.

At this point, I push aside my laptop and pull out the folder I have also brought, which is filled with rejection letters. And I point out that there are a whole lot more of these than books I’ve published. (Though, fortunately, the books represent more width on my shelf.) And I read some aloud, and then pass some around and tell the students to please not be careful with them. Drop them! Accidentally step on them! They are mean, awful things that made me feel terrible. But I also tell the students that when I get one of these I only let myself wallow in the bad vibe for the rest of the day. (It used to be a week, but I’ve gotten really good at being rejected.) I wake up the next morning defiant, ready to prove that letter wrong—to reshape that reject and resubmit it. That’s what you have to do as a writer, I say to them. You have to perch your toes on the edge of the board again, and turn a belly-flop into a swan dive.

Maybe by way of another belly-flop, but that’s okay!

If you too want to help young writers get rejected, check out my website for ideas: (click on the “yo, publish!” tab).

Monday, May 28, 2012

THE POWER OF PUBLISHING


by Jacqueline Jules


At the end of the year, many schools publish literary magazines. It’s a wonderful way to help young writers see that they write for a purpose and an audience. Publication is also a powerful motivator for revision.
Before you send your literary magazine to the printer or post it online, give your students the opportunity to see “proof pages” of their entry. This simulates the real world model many magazines and publishing houses follow of giving authors one last final approval before publication. Explain to the students that this is their chance to look over their work and make any necessary changes before it is presented to the public. You might be surprised how seriously even elementary school students take this responsibility.
Presented with a typed and formatted version of their own writing, students will suddenly see repetitious or weak word choices. They will add snappier endings or beginnings and they will find typos you missed. Some will even come up with stronger titles.
I recently visited five third grade classes with proof pages of work most of them had completed at least two months prior. All of these students had previously seen their stories typed on an individual page. They had chosen the font type and formatting. However, when told that their work would be part of a grade level book, they re-read their work with a critical eye. Working in pairs, they read their own work and their partners', checking for mistakes and making suggestions. They were told to write on the papers directly and put a 0,+1, +2, +3, etc, indicating how many changes they wanted.
One boy who had been lackadaisical about his writing in earlier conferences suddenly had all sorts of details he urgently wanted added to his story. His proof page came back with +8! Another girl changed the sentence, “It was sooo beautiful,” to “She was enchanted by its beauty.” Student after student crossed out bland words for more descriptive ones.
And while I am not a proponent of changing ,“said,” simply for variety since  there is no point in calling unnecessary attention to a speech tag, I was delighted when a child looked over his story and changed a “said” to “murmured.” The story was about a misunderstanding in a conversation. Indicating that one speaker mumbled, strengthened the whole story. Other third graders found inconsistencies in their stories such as “My mom drove the car. I don’t drive!”  Or, “The story shouldn’t take place in 55 A.D.” I even saw students catch pronouns with no antecedents. Wow!
Publishing student work in a literary magazine is time-consuming and can be expensive, but it is a powerful tool for motivating students to do their best work. There is something about knowing your work will be in an anthology beside other pieces that makes young writers realize that a little extra effort might just be worth it.